If you’ve ever played magnetic poetry on your refrigerator, then you will love the online version. It’s a great way to jump start creative thinking when you are blocked.
- Try the artist version or any of the others for inspiration.
Live your creativity. One dose at a time.
If you’ve ever played magnetic poetry on your refrigerator, then you will love the online version. It’s a great way to jump start creative thinking when you are blocked.
My collage, Chinese Holiday, will be featured in the National Collage Society’s Postcard Exhibition at the Art Dialogue Gallery in Buffalo, NY.
After working on the pieces for my mail art class I became inspired and took a collage class at the Cuyahoga Valley Art Center to further explore this fascinating art form. Here is an example of what I created.
MOCA Cleveland opens their summer season with 3 widely diverse exhibitions:
OPEN: New Designs for Public Space and Expanding the Circle / Uptown Launch Pad explores innovative architecture and planning for the 21st century, including the ideas for MOCA’s expansion and the newly branded Uptown District in University Circle.
I’d already seen OPEN at the National Building Museum, when it was there a couple of years ago. Although I am big fan of reinventing contemporary public space, the exhibition reads like a textbook slapped up on a wall. If you have the patience and time, it’s really a worthwhile exhibition though.
Olga Ziemska: Mirror Matter promises a feast for the eyes. Her installation combines little pieces to create large intallations that echo one another while trying to make what is unseen seen in an inter-connected world. Truly a treat!
Anthony Caro: Wending Back is another installation by the Cleveland Museum of Art, as a way to keep their presence in the community, while construction on their building continues.
Last weekend, I went to a fun gallery event in Lakewood. The Pop-Shop celebrated their two-year anniversary – a big event for a Cleveland-area gallery. It was my first time there, so I was pleasantly surprised by the turn out. People in Cleveland really do like art, after all.
While there, I met Phoebe Marie, a collage artist. Her work was featured in the show and is delightfully whimsical
I would suspect that most people don’t even notice the many design elements that surround them on a daily basis. Training your eye to look at design is an easy way to enhance your creativity. Now, more than ever, we are exposed to more choices in our lives.
Think about it the next time you are out shopping. Try to figure out what draws you into specific stores and what makes you buy. It’s probably the design.
Are you noticing a trend here? Companies encouraging and even promoting creative expression. First, there was the Wheat Thins contest honoring women artists, and now Heinz is promoting an interactive contest inspired by their ketchup.
The Top This TV challenge by Heinz is another fun contest to exercise your creativity. Create a commercial for the famous ketchup and get paid $57,000. Commercials will appear on YouTube then the finalists will be voted on by you.
How can people learn more about Ten Zen Seconds?
EM: The book is the best resource. You can get it at Amazon. Or you can ask for it at your local bookstore. The Ten Zen Seconds website is also an excellent resource: in addition to the slide show that I mentioned, there is a bulletin board where folks can chat, audio interviews that I’ve done discussing the Ten Zen Second techniques, and more. It’s also quite a gorgeous site, so you may want to visit it just for the aesthetic experience! I would also recommend that folks check out my main site, Eric Maisel especially if they’re interested in creativity coaching or the artist’s life.
What else are you up to?
EM: Plenty! I have a new book out called Creativity for Life, which is roughly my fifteenth book in the creativity field and which people seem to like a lot. I also have a third new book out, in addition to Ten Zen Seconds and Creativity for Life, called Everyday You, which is a beautiful coffee table book about maintaining daily mindfulness. I’m working on two books for 2008, one called A Writer’s Space and a second called Creative Recovery, about using your innate creativity to help in recovering from addiction. And I’m keep up with the many other things I do: my monthly column for ArtCalendar Magazine, my regular segment for Art of the Song Creativity Radio, the trainings that I offer in creativity coaching, and my work with individual clients. I am happily busy! But my main focus for the year is on getting the word out about Ten Zen Seconds, because I really believe that it’s something special.
I am excited to have Eric Maisel, as my special guest today. He will be answering questions about the relationship between Ten Zen Seconds and the creative process:
Can you use the incantations and this method for any special purposes?
EM: As I mentioned, folks are coming up with all kinds of special uses. One that I especially like is the idea of “book-ending” a period of work, say your morning writing stint or painting stint, by using “I am completely stopping” to ready yourself, center yourself, and stop your mind chatter,and then using “I return with strength” when you’re done so that you return to “the rest of life” with energy and power. Usually we aren’t this mindful in demarcating our activities—and life feels very different when we do.
How do the incantations support the the creative process?
EM: Primarily by reminding a creative person that potential is just potential and that if you don’t completely stop, quiet your mind, announce your intention to create, feel equal to the upcoming challenge, take actual action in the service of your creating, and adopt the stance of a meaning-maker, someone who knows that she has a voice and that what she is about to say potentially matters, she will do precious little creating. Each of the incantations supports a piece of this “stopping and doing the work” process.
How would you address those that say centering is counterproductive to the creative process?
EM: There is a tremendous amount of “artist mythology” out there. Productive artists do a ton of work, they don’t wait for inspiration, and because they want to work for hours on end they have to master their inclination to run from the work when it becomes difficult, which it will at some point every day. It takes a centered presence to stay put like that, diving into the darkness of mystery and returning with poems, paintings, and symphonies, not an anxious, scattered presence. I would say that it is almost completely a piece of unfortunate mythology that centering harms artists—when they aren’t centered, they typically fall apart, grow depressed and self-destructive, and do poorer work.
Is there a way to experience this process in ‘real time’?
EM: By trying it out! But my web master Ron Wheatley has also designed a slide show at the Ten Zen Seconds site (http://www.tenzenseconds.com/) that you can use to learn and experience the incantations. The slides that name the twelve incantations are beautiful images provided by the painter Ruth Yasharpour and each slide stays in place for ten seconds. So you can attune your breathing to the slide and really practice the method. The slide show is available at http://www.tenzenseconds.com/test_photo_slide.html
What is Ten Zen Seconds all about?
EM: It’s actually a very simple but powerful technique for reducing your stress, getting yourself centered, and reminding yourself about how you want to live your life. It can even serve as a complete cognitive, emotional, and existential self-help program built on the single idea of “dropping a useful thought into a deep breath.” You use a deep breath, five seconds on the inhale and five seconds on the exhale, as a container for important thoughts that aim you in the right direction in life—I describe twelve of these thoughts in the book—and you begin to employ this breathing-and-thinking technique that I call incanting as the primary way to keep yourself on track.
Where did this idea come from?
EM: It comes from two primary sources, cognitive and positive psychology from the West and breath awareness and mindfulness techniques from the East. I’d been working with creative and performing artists for more than twenty years as a therapist and creativity coach and wanted to find a quick, simple technique that would help them deal with the challenges they regularly face—resistance to creating, performance anxiety, negative self-talk about a lack of talent or a lack of connections, stress over a boring day job or competing in the art marketplace, and so on. Because I have a background in both Western and Eastern ideas, it began to dawn on me that deep breathing, which is one of the best ways to reduce stress and alter thinking, could be used as a cognitive tool if I found just the right phrases to accompany the deep breathing. This started me on a hunt for the most effective phrases that I could find and eventually I landed on twelve of them that I called incantations, each of which serves a different and important purpose.
Which phrases did you settle on?
EM: The following twelve. I think that folks will intuitively get the point of each one (though some of the incantations, like “I expect nothing,” tend to need a little explaining). Naturally each incantation is explained in detail in the book and there are lots of personal reports, so readers get a good sense of how different people interpret and make use of the incantations. Here are the twelve (the parentheses show how the phrase gets“divided up” between the inhale and the exhale:
A small note: the third incantation functions differently from the other eleven, in that you name something specific each time you use it, for example “I am writing my novel” or “I am paying the bills.” This helps you bring mindful awareness to each of your activities throughout the day.
Copyright © 2024 · Adorable on Genesis Framework · WordPress · Log in